Ciudad Camacho, Kingdom of New Granada
2 August 1974
She didn't have Rabbi Klein to consult on the matter, but Joan Kahn was pretty
sure that infiltrating a top-secret military base on a Friday night would be
considered breaking the sabbath. Tim Liddy had tried to convince her that the
circumstances were exceptional enough to mitigate the transgression
(demonstrating a surprisingly deep knowledge of Talmudic lore while doing so),
but in the end conviction won out, and Tim grudgingly moved the planned
operation up to Thursday night.
It was quite astonishing how much detail Tim had managed to accumulate on
everyday operations within the base. For example, every Thursday night Colonel
Ortiz had his uniforms sent out to El Tio Pepe's Mexican Dry-Cleaners to be
cleaned and pressed (the base laundry being inadequate in his opinion), and
they were returned to him by 1 am Friday morning. A discreet bribe to the
driver of El Tio Pepe's delivery van allowed Kahn to hitch a ride, hidden
behind a rack full of starched shirts.
In her form-fitting black hooded coverall, Kahn was able to slip out of the
driver's door unseen while the driver got the Colonel's uniforms from the back
of the van. Keeping to the shadows, Kahn circled the Colonel's house and made
her way through the alley behind it.
She was familiar with the FANG base's layout from studying a series of
telephoto shots taken by Tim from atop the west tower of the King Charles
Bridge. Kahn shivered when she thought of the risk Tim had run to get those
photos. He had climbed up the west tower in the dead of night, sat on top of
it all the next day, photographing the base, then climbed back down again the
When had she started thinking of him as Tim? She couldn't pin it down to an
exact moment. Three weeks before, they had simply been grudging allies,
temporarily working together to expose the secret machinations of Vincent
Mercator. Kahn had been expecting the former CBI director to treat her as an
unwanted encumbrance, but he hadn't. He had shared every scrap of information
he possessed on the Camacho Project, and treated her like a full partner in
their shared enterprise. Perhaps he had just been trying to shame her into
being equally forthcoming with her own information; if so, then it had worked,
because she had told him everything she had uncovered in two months of
snooping. She had been absurdly pleased when he complimented her on her skill
at piecing together disparate clues.
One thing she quickly realized after seeing Tim's trove of documents was that
her earlier conclusions about the source of the conspiracy had been incorrect.
President Moctezuma knew nothing about the Camacho Project - the operation was
strictly Mercator's doing.
Maybe that was part of it. Kahn herself had been captivated by Moctezuma after
his election. He was bright, honest, and genuinely concerned about the welfare
of his people. Her discovery of the Camacho Project had left her feeling
betrayed and thoroughly disillusioned. Now, Tim had given her back her hero.
He had even confessed to a certain admiration himself (though in a typically
backhanded fashion, calling El Popo "the best of a bad bunch").
Now she was embarked on the final phase of their quest. They both knew that
everything they had uncovered thus far could be dismissed as circumstantial
evidence, misinterpretation or wishful thinking. They had to get what Tim
called "the smoking gun", unmistakable, irrefutable evidence that Mercator was
building his own private atomic arsenal. And the only place to get the smoking
gun was a building that Tim had nicknamed the Gun Room.
This building was the central focus of the Camacho Project; it was the point
>from which orders were issued and to which reports were directed. This was (no
pun intended) the core of the project.  In the muggy darkness of Ciudad
Camacho, Joan Kahn crept through the alley towards the Gun Room.
>From the outside, the Gun Room was nothing more than a vast, featureless cinder
block building. The only way in or out was through a single door on the ground
floor that was under constant guard by two men. Two more guards marched
ceaselessly around the building's perimeter. It had taken the combined
ingenuity of her and Tim to figure a way in.
The alley debouched onto a plaza occupied by the imposing bulk of the Gun Room.
The brightly lit entrance, with its two stationary guards, was around the
right hand corner of the building. Another street light stood beyond the left
hand corner, leaving this side of the building in relative darkness.
Kahn reached into a pocket on the left leg of her coveralls and fished out four
sets of metal claws, razor sharp stainless steel, enameled in nonreflective
black. Two sets were strapped to her knees, the other two fitted into her
hands. She waited until the two perimeter guards had disappeared around the
building's left corner, then she sprinted across the street.
She had practiced climbing a cinderblock wall behind the house Tim had rented,
but that wall was only ten feet high. The walls of the Gun Room went straight
up for forty feet before they reached the roof. Each time she dug a set of
claws into the gritty surface, it seemed to take forever, and each time she
wrenched a set free it seemed to take forever squared. She knew to the second
how long it would take for the perimeter guards to complete their circuit of
the Gun Room, and it quickly became clear to her that she wouldn't be able to
reach the roof before they returned.
She froze as she heard the two sets of footsteps, marching in lockstep,
approach from around the right side of the building. She didn't dare look
down, she didn't dare move a muscle, she didn't dare to so much as breathe.
She could hear her heart beating like a kettle drum, and she was absolutely
certain that the guards would hear, look up, see her, and empty their rifles
into her defenseless body.
She stared at a cinderblock from four inches away, too terrified to even blink,
as the footsteps continued their unvarying tread, approaching from the right,
directly underneath, receding to the left, and time seemed to go on and on
endlessly until the footsteps passed beyond the edge of the Gun Room.
What the hell was she doing hanging from the side of a building like a costumed
grafica hero? She was an author, she wrote books for a living, goddammit! She
was a nice Jewish girl from Brooklyn City! She must have been out of her mind
to let that twisted maniac Timothy Liddy talk her into doing this. Hell, she
must have been out of her mind to let that money-grubbing weasel Steven Taylor
talk her into flying to New Granada.
Kahn had reached this point in her panic attack when her left-hand claws tried
to dig into thin air. She looked up and discovered that she had reached the
top of the wall. While her mind had been stuck in kvetch, her body had
continued climbing. Grabbing the top row of cinderblocks with her fingers, she
unstuck her right-hand claws and reached up. A convulsive jerk freed her knee
claws and she hauled herself over the edge of the roof.
She lay in the darkness on the roof while the perimeter guards marched by
below. When her breathing and heartbeat had slowed, she sat up and removed the
claws. The blades were no longer razor-sharp, and the enamel had worn off the
tips, exposing the bright metal beneath. She returned them to her pocket.
The roof of the Gun Room was a wide expanse of concrete, its flatness marred
only by the huge metal bulk of the air conditioner in the center. It was
growling out its deep song of recirculated air, and Kahn could feel the hot
wind blowing away from it. The technology for air coolers hadn't changed much
in the century and a half since their invention in New Orleans. A set of pumps
sent a volatile liquid back and forth, absorbing heat through evaporation on
one side, releasing it through condensation on the other. New liquids with
better thermal properties had been developed, but the basic principle remained
Kahn lifted herself onto the loudly rattling air cooler and searched the
grillwork that spanned the top. There was a square hatch in the very center of
the unit to allow service technicians access to the machine's inner workings.
A pair of pliers from another pocket dealt with the hatch's hinges, and she was
able to pry it up.
A more claustrophobic person would have been unable to do what Kahn did next,
worming her way into the roaring, vibrating machinery. Squeezing between pipes
that human beings weren't meant to squeeze between, she slowly made her way
down past a set of spinning fans to reach the outlet within the Gun Room. A
set of ventilation shafts led outward, but trying to crawl through them would
have taken too long. Instead, Kahn made her way to the closest outlet and
eased the cover away from the wall, dropping down into an empty corridor.
Empty of other people, at any rate. There seemed to be a wall niche every few
meters with some piece of classical statuary displayed within. In between the
niches were framed paintings, small tables holding Chinese porcelain, books,
vases, metal ornaments, and other, less recognizable objects. She was starting
to wonder just how much all this had cost Mercator when she spotted da Vinci's
Mona Lisa at the end of the corridor. That painting, she knew perfectly well,
was housed in the Imperial Museum of Fine Arts in Berlin, and not even Vincent
Mercator could wangle it from the Germans. It was all a fake, she realized.
The statues, the painting, the art objects, everything. It was all as phony as
the hair on Trevor Hazelton's  head.
Although the various labs (situated miles away at the other end of the base)
operated nonstop around the clock, the Gun Room staff all worked a 12 hour
shift from 8 am to 8 pm. Tim had photographed them queuing up at the
building's entrance in the morning. This allowed Kahn to creep through the
carpeted, overdecorated hallways at (she checked her wristwatch) ten after
three on a Friday morning without having to worry about being seen.
Nevertheless, she did worry. There might be guards stationed within the Gun
Room that Tim didn't know about, despite all his inside information on the
base. And Tim had also cautioned her about one of Mercator's henchmen, a
ruthless intelligence agent named Martin Falcone. Tim had devoted as much time
and effort to tracking Falcone as he had to spying out the Camacho Project, and
according to Tim, Falcone had been spending most of his time recently in New
Granada. He hadn't been seen in Ciudad Camacho since June, Tim reported, but
he might turn up at any time. Kahn shook her head. As if she didn't have
enough on her mind.
She found maybe half a dozen doors on this floor of the gun room, and all but
one of them were locked. She decided to leave the locked ones for later on the
principle that they would be harder to open than the unlocked one. The room
beyond the unlocked door was dark, so after slipping through and closing the
door she reached into yet another pocket and produced a set of infrared
In the eerie reddish half-light the goggles created, Kahn could see that the
room she was in didn't look the least bit like the center of a vast criminal
enterprise. Influenced no doubt by all those David Flin films,  she had
been subconsciously expecting a vast, gadget-filled control room full of
lab-coated technicians and black-uniformed guards, while Mercator himself
presided over the operation with an Angora cat in his lap. Instead, it looked
more like photographs she had seen of Paul Hewson's  Casa Azul in Acapulco.
Deep-pile carpeting covered the floor, interspersed with lionskin and bearskin
rugs. The walls, she confirmed with a reluctant touch, were covered in plush
velvet. The theme of enthusiastic overdecoration she had seen displayed in the
corridors was intensified and given an overtly erotic twist. Nymphs and satyrs
were represented everywhere in the tables, lamps, sofas, cabinets and chairs
scattered around the room. Female nudes predominated among the statuary and
artwork. No less than three fake fireplaces stood against the walls, one
facing a low Japanese table, one facing a particularly large bearskin rug, and
one facing a sunken bathtub. An equally lavishly decorated hallway led off to
the left, while a wet bar and kitchenette took up the wall to the right.
Moving cautiously into the room, Kahn saw that one of the tables was covered
with a profusion of scattered papers. She was just able to make out the
writing with her goggles, and the words STATUS REPORT leaped out at her. She
leafed through the grappled pages, and in moments knew that her quest was at an
end. She had found the smoking gun.
She heard a door creak open down the hallway, and a glance over her shoulder
revealed a large glowing shape coming into view at the far end. Dropping the
status report back into the table, she dove for cover behind an overstuffed
sofa as the shape lumbered into the room. She saw it reach for one of the
lamps, and closed her eyes while shrinking back into the sofa's shadow and
pulling off the goggles.
Light impinged on her closed eyelids, and she warily opened them a crack. The
room was brighter than it had been, but was still half in darkness, with the
light from the lamp forming a small circle near the hallway. What had been a
glowing shape in infrared was revealed to be a dark-skinned human being. It
took a moment, but finally Kahn was able to recognize him. It was Dr. Stephen
Kahn was astonished at the change in Urquell's appearance. Five years before,
when he had been one of the leading figures in the CNA's atomic bomb program,
Urquell had been a tall, well-built man. Quite homely, of course, and with the
sort of dress sense associated with men whose minds were preoccupied with more
important matters, but still, a fine figure of a man for all that. Now he was
still tall, but his body had changed from 200 lbs of muscle to 400 lbs of fat.
His lively brown eyes were now buried within folds of skin, and his walk had
become unsteady. Unaware of his hidden watcher, Urquell made his way to the
kitchenette, humming odd snatches of old Vandalian road music. He opened the
refrigerator, and began rooting among the cluttered shelves.
Kahn was suddenly aware of the small pistol holstered to her left calf, and
felt her hand slowly sliding towards it. The room's thick cinderblock walls
would muffle the sound of the shots, and the man at the heart of the Camacho
Project would be gone. If Tim were here, she knew, he wouldn't hesitate a
moment before drawing it and firing its full clip into the renegade physicist's
broad back. Tim had long since judged and sentenced Urquell in his mind, and
he would have no qualms about carrying that sentence out.
But she wasn't Tim. She hadn't come to New Granada as an executioner, she had
come as an investigator to expose a terrible secret and prevent a terrible
injustice. She remembered their conversation three weeks before, when she had
discovered his true identity.
For someone who claims to be devoted to peace and justice, he had sneered, you
don't seem all that interested in either one.
For me, she had answered, justice is more than just a fancy word for vengeance.
Where does justice lie here? she asked herself. Was it just to kill a man for
choosing to live and work in a foreign country?
/But,/ a part of her answered, /this isn't just some hopeful immigrant looking
to start a new life in a new country. This is a man who has knowingly crafted
a weapon and chosen to turn it against his own people./
And would it have been better if he had stayed in the CNA and placed his weapon
in the hands of someone like Lennart Skinner? Urquell is just a scientist
playing with ideas. He only left the Confederation because Vincent Mercator
made him a better offer than Carter Monaghan had.
/That doesn't make him any less a traitor,/ the other part of her mind
answered. Now Kahn recognized her mental sparring partner: it was Tim. They
had debated the question of Stephen Urquell many times.
Traitor, shmaitor, she answered the mental Tim Liddy. Do you know how many
people have called /me/ a traitor just because I question the government's
version of events? To a Jeffersonist, being called a traitor is a badge of
Kahn's internal debate was interrupted by a woman's voice. "Esteban, mi
precioso, I'm lonely!" Standing by the hallway was a woman that Kahn vaguely
recognized, a minor starlet from half a dozen second-grade Mexican surf
pictures. She couldn't for the life of her remember the starlet's name, except
that it had been assigned to her by a film producer.
"I'll be right there, honeybunch," Urquell assured her. He returned his
attention to the refrigerator, so he didn't see the look of disgust that
momentarily flashed across the starlet's face.
In that moment, Kahn made her choice, and her hand moved away from the holster.
She waited silently while Urquell chose his midnight snack and followed the
starlet back down the hall, conscientiously pausing to switch the lamp back
off. The distant door creaked shut, and Kahn emerged from her hiding place.
She picked up the status report from where she had dropped it, and slipped out
of Stephen Urquell's gilded cage.
She knew now why Urquell had been allowed to degenerate into a physical wreck.
As far as Vincent Mercator was concerned, the North American physicist was
nothing more than a tool to be used to acquire a coveted prize. As soon as the
prize was within Mercator's grasp, the tool's use would be at an end, and it
would be discarded. What point was there in taking care of something that you
were about to throw away?
She walked along the corridor, ignoring its bogus treasures, looking for the
air vent that would lead back to the building's roof. In (she glanced at her
wristwatch) just under two hours, she was due at the base's kitchen, where a
produce lorry would be unloading a consignment of fruits and vegetables.
Thanks to Timothy Liddy, there would be a hatch on the underside of that lorry
that she could use to get inside after the cargo had been unloaded.
A copy of the status report would be on its way to the Justice Press in New
York City via the Royal New Granadan Postal Service, while the original went
with the two of them to New Orleans, where Tim knew of an exiled Mexican
businessman with ties to the Moctezuma administration.
As she spotted the air vent, Kahn smiled a grim smile. If it had been Vincent
Mercator in that room, she would have fired.
 In FANTL physics the center of the atom is called the core, rather than the
nucleus as in OTL.
 The New Zealand-born actor who played Captain John Dalton on "Space Saga".
 A fictional British superspy who originally appeared in a series of novels
by a British author named Nigel St. Hubbins.
 Mexican businessman who created a publishing empire based on a
slickly-produced girlie magazine called Azul.
Newport, Rhode Island